Saturday 22 June
The Water Runners (Aust).
Truly original Australian Bluegrass
What: The Water Runners (Aust)
When: 7.00 pm, Saturday 22 June 2019
Where: St Lukes Hall, 147-149 Blackwall Rd, Woy Woy
Tickets: $10/13/15 available at door
The Water Runners are perhaps Australia’s most original and exciting new acoustic band in years. Fresh from a festival in Australia’s High Country, they’re coming to play their own unique high energy blend of Australian folk bluegrass. They perform truly incredible self-penned songs with influences from bluegrass, country and rockabilly, as well as the work of legendary contemporary folk artists like Paul Kelly. Great songs of bushrangers, Aboriginal warriors, grisly murders and ghostly tales…as well as the odd song about love and, of course, love gone wrong.
The Water Runners. Saturday 22 June 2019
A brief review Michael Fine
Last night the Water Runners certainly lived up to the all the hype. And then some! A big crowd at the Troubadour was well rewarded with some of the best and most original Ozzie folk music that anyone could ever hope to see and hear. Just when you think you’ve heard it all, along comes someone like these guys.
If you missed out last night, I’m sorry. It was cold and wet, and our hall was filled. There were lots of other events on that night too. But there are at least three reasons why you’d be well served making sure you catch them soon.
First, their songs and original material are stunning. Well crafted lyrically, musically and harmonically, they are truly special. Great Australian stories, the ones you wished you’d have thought of capturing yourself if you’ve ever dreamed of writing. Clever words set to great tunes, often powerful and moving, but also at times tender and warm. The songs seemed new and interesting yet also somehow often had a familiar ring. Everyone joined in the chorus and the hoots and hollers were not just onstage. John writes most of them- listen out, they’re worth learning. Neil had a couple of beauties to his name too, as does Danita. Instrumental tunes as well as songs, this band had great stuff. Even a few traditional songs and Paul Kelly covers as well.
Second, they’re great musicians. Neil was terrific on the banjo and mandolin, as was Danita on the fiddle. She’s a top dancer and mover, too. John was a strong and clear singer, guitarist and harp player – and even managed to get all three of those into quite a few of the songs on the night. Clayton on the double bass is something else. He still looks young, but sounds like he’s been playing forever. He knows all the licks, adds extra beats when it suits, holds back in all the right spots and generally adds a great swing and swoop to the rhythm of every piece of music we heard. Sadly, it was his last gig for quite a while, as his career takes him in other directions. But just like Elvis when he left to join the army, we all hope he’ll be back. The drummer, perhaps fortunately, was at another gig. Sorry, I can’t say we missed him on the night. But then, perhaps the others knew just where and how to fill in for him.
Third, they’ve got the X factor. While no one is quite sure what that really is, they seem to have it in spades. Great banter on stage. Lots of smiles and stage appeal, great movement and microphone technique. It all just seems special, exciting, new, familiar. No one left at interval – and afterwards we all felt very lucky to have been there all night.
The Water Runners were well supported by some inspiring performers, who together with Barbara Appleton, a stimulating and engaging historian with a great deal to tell us about our local local past, filled the floor spots. On the evening. A big thank you to Trudy, Beth, Greg and Leanne, to the Troubalukers, Garland-Fine and the great Fiddlers Four who invited me to sing Morton Bay with them – leading well into Barbara Appleton’s concise historical exposition and mini-book launch. You can read more about her book here: https://www.seniorsnews.com.au/news/reverend-made-his-mark-along-historic-trail/3733149/
Saturday 15 June The Trippy Hippy Band at the Everglades Club
Look at your watch! Gosh, it’s already 50 years since Woodstock. So get out your beads, headband bellbottoms and celebrate the love, while you still can.
Call them freaks, the underground, the counter-culture, flower children or New Hippies – they are Joe & Harmony’s Trippy Hippy Band, a band of 60s aficionados who sing the songs that transformed life in the West as we knew it. The Trippy Hippies are probably the most popular and gifted new hippies living in the world today: Joe & Harmony’s acclaimed musical coming out in San Francisco’s Haight Ashbury district was been repeated in Australia with countless performances across the country. Their UK tour in 2018 received the Rosie Award for Live Entertainment and was met with unanimous critical acclaim. Share the love. Sing, dance and dream winter away as the Trippy Hippy Band magically transport you back to a time that most people can’t even remember.
Review: Hippy Trippy Band was a lot of fun, lots of singing, lots of dancing and lots of thinking: “those were the days”, yes we all still remember.😎
Thanks Joe, Harmony, Rosie, Anthony and Nigel ( Billy Shears) for transporting us to these wonderful years.
Saturday 25 May Mimosa Duo
Mimosa is an exciting and refreshing duo consisting of Morgan Haselden (guitar) and Phoebe O’Shea (violin). Their repertoire is a colourful collage of gypsy jazz, French parlour, Argentinian tango, Celtic rhythms, Cuban son and classical music.
Both trained at the Sydney Conservatorium in classical music but have been making their own way since graduating in 2009. As well as living and performing in France and searching for the heart of Gypsy Jazz, they have toured all over Australia and New Zealand. Mimosa perform numerous times a year as guest entertainers on luxury cruise lines, they have performed on the Opera House main stage, at numerous festivals and for literally hundreds of events.
Review: Full house enjoyed a magnificent program from the Mimosa Duo.
Thank you very much Phoebe and Morgan.
A night we won't easy forget.
Thanks also goes to our floorspots who make this club so special.
As the twentieth century drew to a close, the Troubadour Folk and Acoustic Music Club was established in Woy Woy to provide an opportunity for performers and folk music lovers on the Central Coast to hear and play great music. It’s a magic place, where the audience suddenly becomes the performers, where everyone joins in the chorus and many of the audience know all the words. Now, well into the 21st century, it’s time to celebrate twenty years of this magic.
On Saturday 4 May, founding members will be returned to Woy Woy to entertain and be entertained by current club members and other local performers taking part in what promises to be an unforgettable evening of music and celebration.
The Troubadour has grown over the past twenty years and in the past twelve months has needed to move from its traditional home in the Woy Woy CWA Hall to find a larger venue to accommodate the ever increasing audience. Now well established in the fabulous St Lukes hall, the club is widely regarded as one of the most successful Folk Clubs in Australia. Performers come to the Central Coast from the USA, Canada, England, Scotland and Ireland and from all points across Australia to play, sing and recite in front of the famous Troubadour audience.
Local performers have always enjoyed a warm welcome at the Troubadour and will be prominent in the festivities on 4 May. So too will some of the long-standing acts that have developed through the Troubadour: great groups established by founding members of the club, such as The Usual Suspects and The Blues Angels will be performing alongside long term favourites such Warren Targett and Linda Campbell. There will be plenty of music from current members and local performers. If you’ve been in the past, you know why it’s so successful. If you’ve never been before, it’s a great night to come and find out what makes the troubadour so special. All tickets just $8 at the door. All funds raised will go to the Central Coast Bipolar and Schizophrenic Fellowship.
Troubadour 20th Anniversary Celebrations – a short review. Michael Fine
Saturday night saw a record audience of over 100 attend the Troubadour to celebrate the 20th Anniversary of the club. Twenty years without subsidy or profits! We flourish as a not-for-profit, members based co-operative association. It shows what a local community can do when members put their hearts into it.
What a night! Great performances from founders and current performers alike. The amazing audience lifted every song and performance, filling the hall in every sense. The music reigned supreme, but so too was the comradeship and sense of incluson and recognition of the club’s founders and early stalwarts, in particular Frank and Marilyn Russell, Cec Bucello, Warren Targett, Stewart and Shaun who have been at just about every concert and session since the beginning), Linda Campbell and Peter Mace. A special mention should also be made of the great work of Bill Bekric and Willie Timmerman, who contributed so much to the Troubadour’s operation and spirit of inclusion and the joy of do-it-yourself folk music over the intervening years.
It was a night, too, when we thought of those who were unable to be there for whatever reason. We missed you and thank each of you for your contributions. You weren’t forgotten.
A superb birthday event we won’t forget, I was so proud of the Troubadour organisers. Ina Fine, who managed the catering and celebration as well as the treasury deserves a special call out, as do Ken Grose and Hugh Worral for the sound, lighting and production. And thank you all who attended for the great result we achieved for the Central Coast Schizofrenia and Bipolar Fellowship, and to the group’s founder, Stephanie, who attended last night.
The performers are each listed below – too many to describe each act individually, and a special mention shoulld go out to the the club members who contributed to the very special grand finale numbers that finished the evening lifting the roof. The enthusiasm and quality of performances was particularly high. All should feel very satisfied with their contribution.
The Usual Suspects (Frank and Marilyn Russell, Cec Bucello)
Frank and Marilyn
The Blues Angels
Ian Smith and Kevin
Samuel Thomas Holland
Troubadour Grande Finale Chorale
Saturday 23 March 2019 Bob Fox (UK)
For more than 40 years BOB FOX has been regarded as one of “the iconic voices” of British folk song. Deeply influenced by the working class culture and industrial folk song prevalent in his native County Durham he has become a first rate exponent of storytelling through song. Now he’s coming back to Woy Woy for a special performance before he heads off to the National Folk Festival in Canberra over Easter.
A career that began during the vibrant “folk revival” of the 60s and 70s in England led BOB into regular and extensive touring throughout the UK, Europe, USA, Australia and New Zealand, firstly with fellow North Easterner Stu Luckley in their groundbreaking acoustic duo and later alongside such musical heavyweights as Ralph McTell, Richard Thompson, Jethro Tull and Fairport Convention.
BOB’s masterful interpretation of traditional and contemporary song combined with an outstanding guitar technique has also earned him countless nominations in the BBC Radio 2 Folk Awards over the years.
BOB has long been a favourite on the live circuit both as a solo artist and in his many highly successful collaborations which include a duo with Billy Mitchell (Lindisfarne), the BBC New Radio Ballads series, The Pitmen Poets (with Jez Lowe) and most recently BOB was invited by John Tams to play the role of the folksinger/storyteller SONGMAN in The English National Theatre’s multi-award winning production of WARHORSE both in London’s West End 2011-2013, in the highly acclaimed and record breaking UK, Ireland and South Africa touring version 2013-2015 and the 10th Anniversary UK tour 2017-2019.
Don’t miss this unique chance to experience his warm, rich voice, virtuoso guitar style and newly acquired melodeon playing skill. Expect to hear songs of love, joy, work and humour as he performs material from WarHorse, newly written songs from the New Radio Ballad series and old favourites from his many recordings.
All tickets $15.00 Available at the door from 6.30 p.m.
Saturday 13 April 2019 Cap in Hand
Cap in Hand are Nigel ‘Muddy’ Walters and Dave ‘Fingers’ Spira, a couple of erstwhile Poms who are now well-entrenched Aussies, having immigrated to Sydney more years ago than they care to remember.
Nigel sings, plays cello mandolin, dulcimer, guitar, harmonica and more….and is well known to Australian music lovers through his work over more than a decade with the iconic Wheeze and Suck Band (subsequently reincarnated as Traditional Graffiti).
Dave plays exquisite finger style acoustic guitar in a range of open tunings.
Nigel and Dave both write their own material as well as drawing from a treasure-chest of traditional and contemporary music from Australia, the UK, US of A and beyond.
The boys’ influences are too numerous to list in their entirety, but include the likes of Bert Jansch, Nic Jones, John Martyn, Martin Simpson, Joni Mitchell, Richard Thompson and David Francey.
Their performances typically include a mix of delicately rendered songs and instrumentals, as well as up tempo tunes, singalongs and ‘classics’.
Cap In Hand’s repertoire spans at least six centuries and their self-penned material varies from the ‘deep and meaningful’ to the ‘light and whimsical.’
Cap In Hand have appeared at many festivals and clubs in NSW and their debut album ‘Harlequin’ has been featured on the ABC and local radio stations.
Trad and Now’s album review summary read “This CD …. is a classic folk singer’s compendium, beautifully played and sung.”
Shawn Lidster hails from Newfoundland and now lives on the Central Coast. His career in both Australia and Newfoundland is amazing. Shawn has written and performed songs for the Prime Minister of Canada, the Premier of Newfoundland, Prince Charles and even had a song played on the famous Hockey Night in Canada. His Newfoundland album Legends, was added to the K-12 curriculum throughout Newfoundland and Labrador Schools in 2009. A number of his songs in traditional style became famous across Canada, played on popular radio stations, the internet and folk radio stations around the world. His Australian recordings and performances are no less amazing – and include a CD playing with Bill Chambers as well as his famous CD Ned Kelly (Acoustic) which made it to the AMRAP Great Southern Charts Top 10 for 6 weeks in a row.
New York Public Library, are a much loved Australian Bluegrass, Irish, Country Music folk band making a very welcome umpteenth return visit to Woy Woy. Be warned: they may play ANYTHING that takes their fancy, with lots of comedy thrown in. New York Public Library are: John Flanagan (vocals, mandolin, tenor guitar), Warren Boyd (vocals, banjo, guitar), Isabelle Fogarty (vocals, double bass, ukulele) and Alan Smart (Guitar and not much else).
Start the new year well
Back on the road following a hugely successful UK tour with folk-rock legends Fairport Convention, Winter Wilson are headed to Woy Woy to open our 2019 program. Great songs, stunning harmonies and fine musicianship on guitar, accordion and vocals, with often hilarious tales of life on the road.
“A sublime collection of tracks to kick off the new year in style. Well-balanced, strong songs delivered with care, and by people that are passionate about their craft. Lovely.” Grem Devlin, Living Tradition Magazine.
Troubadour Central Coast Winter Wilson, Saturday 2 February. A brief review.
It would be difficult to imagine a better way to start the year at the Troubadour. A full house for one of the best folk duos in the world. Great support from local and international performers providing floor spots. Old friends and new, together to celebrate the commencement of another year of great music. This is the magical formula that made the night of Winter Wilson at the Troubadour truly unforgetable.
Great performers deserve a big and enthusiastic audience. Winter Winter Wilson filled the hall and then made sure no one left till the final encore three hours later.
Their music takes us back to the past just as it spins tales of life today. With immaculate guitar, accordian and flute as well as exquisite vocal harmony, Kip and Dave sang songs that chronicle life in the twentieth and twenty-first centuries in a unique and powerful way.
At times they seemed to be channelling some of the great performers we all know and love. Their harmonies reminded me at some points of Simon and Garfunkel. Dave’s guitar evoked Pentangle and Bert Jansch at his best. Kip’s voice is one to die for and was more than well supported by Dave’s tasteful harmonies. Underlying it all is a superb songbook of unique compositions by Dave Wilson that surely must be recognised as having a number of songs that are amongst the greatest of the of the original folk ballards of the past twenty years.
Songs such as ‘Weary Traveller’ and ‘Grateful for the Rain (Billy Boy)’ tell hauntingly of the both the hope and pain of refugees and migrants, both in the past and today. ‘Still Life in the Old Dog Yet’ is uplifting, defiant and life affirming, an anthem for those who fight against the way that so many are disgarded in a declining economy or as we grow old. This was a wise audience who knew they were having something truly special. One day, we are sure, others will acknowledge this too.
Great support from our local performers. Hugh Worral, George May, Peter Mace, Tom Flood, Marion Jones and Sue McCarthy were excellent, and I contribute humbly myself. Special mention must be made of our international performance from Bulgaria by Angel and Val of a traditional Bulgarian folk song.
So too, must I acknowledge Jenneth Tollin-Graham who played a stunning self-composed original on the harp and sung her own words. We were witness to a very special performance and look forward to many more in the coming months and years.
As if that wasn’t enough, Simon Cambell made a triumphant and very welcome return to the Troubadour, with a bush yarn that would be hard to beat. He swears it is a true story.
Such a perfect start to 2019.
One proviso: We all missed Ken Grose and Sue Gates, both unable to attend due to family business. We send them our special wishes and look forward to seeing them back again soon.
Sat 15 September 2018 7.p.m.
Anna Salleh and Guy Strazz – Brazilian Nights
The great Anna Salleh and Guy Strazz return to the Troubadour with more bewitching bossa nova and seductive acoustic jazz.
with special guest the brilliant young guitarist Min Ahn, Pearl Beach scholarship recipient and People’s Choice Award.
Location: Starlight Room, Everglades Country Club, Dunban Road, Woy Woy
29 September 7.00p.m.
Alan Reid and Rob van Sante (Scotland)
Alan Reid, legendary Scottish musician and founder of the famous Battlefield Band, in an intimate concert with Rob van Sante
Venue: St Lukes Hall, 147-149 Blackwall Rd, Woy Woy
Sun 7 October 2.00 p.m. House concert with Sue Robinson. Launch of Sue’s new CD Living Room Music
A special event, a house concert, to hear Sue’s extraordinary new compositions. Cost: $20, includes CD (tickets $15 without CD). Phone for venue and bookings – Bookings essential: 4342 6716
at 25 August 7.00 p.m. 2018
Jim Jarvis: Blues guitarist extraordinaire
Celebrate our move to the new venue in St Lukes Hall with this special concert from virtuoso blues guitarist Jim Jarvis
Sat 24 November
Gleny Rae Virus
Gleny Rae is one of the most amazing hot fiddle players anywhere on the planet. It will be great to have her back in Woy Woy for the launch of her new CD Diggin a Hole.
Diggin’ A Hole is a string laden journey through lust, loss, environmental protest and female bushrangers! The album was recorded in three studios in between touring, then pulled together and engineered by Newcastle musical guru Robbie Long. Gleny Rae Virus is known for her eclectic approach to roots music and this album is no exception. It features some of Australia’s finest bluegrass musicians including Pete Fidler on dobro and Jenny Shimmin on banjo, but takes the listener on a winding trail through hillbilly jazz and gypsy swing.
A country girl with an international heart, Gleny Rae Virus is a multi instrumentalist and educator who believes that music can build community and improve lives. Gleny plays gigs from outback shearing sheds and rodeos to international showcases in Nashville Tennessee and Austin Texas. She is also an active advocate for refugee rights since appearing in the ground breaking television reality documentary Go Back to Where You Came From in 2011. Armed with a fiddle, accordion and a irreverent sense of humour, she performs and records with numerous Australian country roots bands at venues and festivals from Broome to Bourke, Darwin to Dubbo.
Gleny Rae brings a special vibrance and humour to the stage, and wonderful musicianship with her bandmates, the Playboys with top class pickers Robbie Long, Pete Fidler and Sam Martin. Joining her for this CD launch tour is her talented buddy and adopted little brother Archer, old time sing song man. Archer is like an old-world Bollywood movie star; he lives his art and his life is a song. He goes to great lengths to find old songs and write timeless melodies. He sings up the land and its people, its animals and robot machines. He has been flat out touring nursing homes and ice-cream shops and gutters and fancy national and international venues.
Sat 15 December
Troubadour Xmas concert
A Wild and Whacky Xmas
The truly inspiring theme for the Troubadour Xmas Party in 2018 has just been announced.
Following a unanimous decision of the newly re-elected Committee, it has officially been declared that 15 December is going to be a ‘Wild and Whacky Xmas’!
Every group or solo artist is requested to include at least one whacky song, poem or presentation in their performance.
For any other pieces in the set, it’s a wild card: Wild music, wild women, wild men, wild caught, wild animals, wild choice – in other words, you can figure out what ever else you’d like to include.
Simple rules. Any half decent wild and whacky performers welcome.
Decent group performances and indeed, any non sexist, PC indecent performances, will have priroty.
There is no payment for your performance, just the joy you bring to yourselves and others, and the glory of sharing Xmas merriment and bringing a sense of peace and sanity back into the world!
Spontaneity on the night is welcome, but in allocating stage time on the night, preference will given to those who plan ahead and let us know what you’de like to perform and with whom.
Please also bring some food and drink for the party – for yourself and to share with others. Entry cost: $5. Bookings and queries please call 4342 6716.
Jarvis is a solo performer well known for his distinctive, haunting blues voice and his finger-picking guitar style. He has a polish and finesse of a fine, traditional and world class blues musician.
New venue: St Lukes Hall, 147-149 Blackwall Rd, Woy Woy
Sat 27 January 2018
It would be hard to imagine a better start to the Troubadour year than the amazing line up we had on Saturday night.
Jitensha are a subtle and amazingly polished duo from Canada who simply blew us away. Great vocal harmonies, sensistive and commplished guitar and banjo playing helped them deliver a wonderful program. Their own compositions shone – with senstive lyrics, exellent and original tunes and fantastic arrangements. Alongside they presented songs from some of the great Canadian singer-songwriters – such as Leonard Cohen, Gordon Lightfoot, Hedi West, Joni Mitchell, and Neil Young. Their rendition of Ian and Sylvia’s ‘Four Strong Winds’ was to die for. Young, tallented and accomplished, we hung off their every note, a hall filled with singing as we joined in in support.
Great performances, too, from our own local artists: Sue Robinson; Trudy, Ken and Roger; Linda Campbell, Peter Mace, Trish Peart; and Mary O’Mahoney on the burning violine with Michael Fine. It looks like it will be a great year at the troubadour. Check out the videos of Jitensha and the snippets from the floor spots – why not share them and encourage your friends along next time?
Little Quirks and Vanishing Shapes
Little Quirks, Central Coast
The Little Quirks are a young, all-girl acoustic trio made up of sisters’ Abbey and Mia, and their cousin Jaymi. They have a unique blend of mandolin, acoustic guitar and drums. They produce mesmerising harmonies that combine to create their distinct ‘Little Quirks’ sound.
Discover why everyone is so excited about them!
Vanishing Shapes, Newcastle
An amazing and eccentric folk band with a style dubbed ‘fairy music’ that hints at the melodies of Celtic, Turkish and Andean folk music, with rhythmic ideas from further afield. Their enchanting music displays influences from the realms of classical and jazz music.
They have performed across NSW, Victoria and the ACT and at festivals including Wollombi Music Festival, Folk by the Sea and Bellingen.
With amazing support acts, including a mystery appearance by two of our favourite sets of young folk group performers. Join in the celebration – don’t miss the energy.
Bukhchuluun Ganburged (Bukhu) is a master student of the Music and Dance Conservatory of Ulaanbaatar. Performing the folk musics of Mongolia, and exploring the aural dimensions of sounds generated by traditional instruments and harmonic overtone vocal techniques. Based in Sydney, Australia since 2009. Bukhu was granted most prestigious Distinguished Talent Visa by the Australian government as an internationally recognised artist with exceptional and outstanding contributions to the arts. A cultural ambassador of his country. Bukhu combines virtuosic Morin Khuur (Horse Head Fiddle) and Khuumii (Harmonic Overtone Throat Singing) skills to transmit the harmony of Mongolian nomads and Shamanic culture through time and space. Bukhu’s music brings a contemporary take on the tradition of Mongolian bards of the middle ages and those of ancient times, acting as a national memory bank by working mythologies, historic figures and events into traditional verse form. Bukhu is a member of Sydney bands Equus and Horse & Wood, and former member of the Morin Khuur Ensemble, Khangal Quartet and Domog folk bands of Mongolia. Touring extensively for audiences in Italy, France, Belgium, Germany, Austria, Switzerland, Denmark, Luxembourg, Czech Republic, Japan, Korea, Taiwan and Australia. Bukhu embodies the spirit of reinterpreted narratives through verse, with an enchanting mix of folk traditions and contemporary influences woven into the fabric of his arrangements. An accomplished composer of contemporary music in his own right. Bukhu’s compositions incorporate genres as diverse as Overtone Throat Singing, Harmonic Chant, Folk, Classical, Blues, Metal, Techno, Dub and Hip-Hop. Bukhu’s recent live performances explore experimental and electroacoustic sound palettes — using loops and edits created on pedals, portable devices, samplers, synthesizers, sequencers and drum machines.
Anna Salleh and Guy Strazz -23 July 2017
Salleh and Strazz. A three word review.
To die for.
Exquisite, uplifting, enchanting.
For those who missed it, they will perform again later in September in the conservatorium Gosford.
Another great night at the Troubadour Central Coast, with great floorspots ,great audience and the most beautiful music.
See you all next month when Ami Williamson will be performing.
Saturday June 8th
Something extraordinary took place last night in the Woy Woy Opera House. Mathew Fagan played and amazed us all with his virtuosity, his technical facility on a wide variety of plucked string instruments, and the warmth of his performance. This was jaw dropping, spine tingling, ecstacy inducingly delightful. It is hard to imagine a better night of music anywhere on the planet.
From classical show off pieces such as Bach’s famous toccata for organ (the toccata and fugue, without the fugue) through to the Beatles’ blackbird, passing through the encyclopedic compendium of famous spanish guitar pieces, the guitar challenge, celtic masterpices, blues and a ukulele solo to die for, his show ‘Lord of the Strings’ had it all. I’m no royalist, but long live the lord! He truly deserves our admiration.
Mathew was well supported by a handful of very talented and capable local musicians – Hugh Worral, George May, myself and the wonderful David Martucci.
For the first twenty minutes of the program Mathew Fagan played a magnificent ten string guitar – the first I have ever seen at the Troubadour. David Martucci played the second- one, and he literally made it himself. The guitar, with a beatiful spuce top, was truly impressive, as was David’s performance on it after interval. He is an accompluished and versatile classical guitarist from the central coast – a player of the higest order, and someone who I hope we will see much more of in the future.
Something extraordinary happened last night in Woy Woy. It’s enough to make you believe in miracles.
Matthew Fagan’s Ukulele workshop Saturday 8 July
24 people learned how right hand flamenco strumming and picking techniques for the ukulele yesterday. Hard to believe, but Mathew taught us well and we all had an amazing time. We not only learned the lost art of ukulele yoga, but practised our right hand flamenco strums, learnt finger picking, played well and would you believe it, even sounded good together.
Nice to see so many new faces – from Newcastle, the Entrance, Hornsby, Berowra BUGS and other central coast. We’d love to see you again.
But make sure you don’t miss the next performance of the Troubalukers.
Many thanks, Mathew!!
Chris Cady and Kent Daniel
Lime and Steel – Saturday 27 May Review
We knew they were going to be good, but they took our breath away. Wonderful original folk songs and a few exquisite tradional numbers all done impecably. A fantastic sense of musical space and careful, respecful musical arrangements kept it fresh and sent numerous tingles dow my spine. Paddy writes a great song, and Skye must be the best bass player and all round harmony singer going round. But it would be hard to beat Masy-Jane’s plaintiff, but strong and tuneful singing. She had us all on the edge of our seats.
A great night for floor spots too. Linda Campbell was great as was, George May, Peter Paul and Trish and Hugh Worral before the break. The Troubalukers were at their satirical best, followed by Trish and Tom Flood after interval. It was a night to remember and treasure. We’re lucky to have the snippets and excerpts to remnd us. If you missed the night, make sure you check out the videos below. And make sure you don’t miss anyhing in the coming months!
The Spirit Still Alive in Woy Woy
Last night’s Troubadour Theme Concert – Protest, Politics and Parody, was full to overflowing with talent, enthusiam and generosity. What a great night. Over $500 raised for Mary Macs (we’re still counting) and we left full of inspiration.
Some great performances from all the Troubadour performers, it’s hard to know where to start. Two amazing debuts: Jill Adamson sang a great parody – Are you Going to Erina Fair? and read a powerfula anti-war poem she wrote – Desert Skies. And Ian Smith’s new ‘home made’ guitar was simply beautiful – one of the best sounding instruments I’ve ever heard.
We also saw Peter, Paul and Trish for the first time, heard the Trubalukers present a world premier of their parody – ‘We’d Love to Have Drink with Malcolm’, and enjoyed many other highlights – including the outstanding Fiddlers Four! Look at the snippets below to relive some great moments – or to see what you missed,
A great welcome back to Slightly Off’s’ Carl and Leila, and to Al Robinson. And what can I possibly say that would do justice to the great songs of the Blues Angels, George May, Sue and Blue, Linda Cambell, Peter on the ukulele, Hugh, Trish, Michael and all the others who contributed to such a great night?
To those who missed out on the evening, enjoy the snippets and keep up the rage! We look forward to seeing you again soon.
Congratulations to all the raffle winners. And all our best wishes to those at Mary Macs. Lets do it again, soon.
Long may the spirit of protest and parody live on! And as we all know, politics has never gone away.
March 25 2017
Penny Davies and Roger Ilott
Penny Davies and Roger Illot, Saturday 25 March 2017 Review
Two of Australia’s finest. No wonder they are held in such esteem. Penny and Roger delivered a truly enchanting performance to an enthusiastic audience. Beautifully chosen songs, delivered with impeccible harmonies and supported with strong instrumental backing. They performed many numbers from their recent CD Timeless Land, as well as a number of old favourites and hidden gems. It would be hard to go past their version of John Dengate’s ‘Bare Legged Kate’, which for my mind is without peer. And to finish off, a most astounding version of what the Dave McDougal, the MC, referred to as Pete Seeger’s driving instructor’s song – Turn Turn Turn.
Some great supporting acts – Sue Robinson, as ever, was sublime. Similarly Linda Cambell, the Troubalukers and MIchael Fine performed with great aplomb. Trish and her sideman, Ken, were a revelation and they surely have a masterpiece in Trish’s new song – Laudinam. Night’s like these are precious and stay in the memory. Sorry if you missed it.
Saturday February 4, 2017
Michael Fix and Christine Connister
A short review. Christine Collister and Michael Fix, 4 Feb 2017
Its a few days ago already, but I can’t get that beautiful music from Saturday night out of my head. I kept thinking ‘This is as good as it gets’.
Christine Collister’s singing was powerful and emotional, shifting effortlessly from soft and angelic to knock you out Janice Joplin style. Michael Fix’s guitar was equally superb. He provided tasteful support in the most charming way and would then then explode into amazing virtuoso runs across the finger board, all impeccably tasteful and clean. And he can sing too. Together, great harmonies, wonderful moving performances bringing out the nuances of their fantastic repertoire. So many great songs, it’s hard to list them all. But it would be wrong not to mention the one that brought the house down. We all know how beautifully Roberta Flack could sing Ewen McColl’s classic love song ‘The First Time Ever I Saw Your Face’. When Collister and Fix played it on Saturday night, it was like the first time ever we’d heard that song- our hearts melted and tears welled in our eyes.
Great support on the night from Sue Robinson, George May, Peter Mace and Michael Fine! (yes that one). It doesn’t get any better than a night like this in the Troubadour. If you missed it – I’m sorry. Look them up on Youtube or watch the video below, and hope that one day they’ll come back to Woy Woy.
Don’t forget to keep Saturday 25 February free – Sancha and the Blue Gypsies are coming to the Troubadour.
February 25 2017
Sancha and the Blue Gypsies
Sancha and the Blue Gypsies 25 February 2017 Review
The performance of Sancha and the Blue Gypsies last night was a sell out – the Troubadour was packed to overflowing by a well informed audience with good reason to be there. This has got to be one of the top jazz/folk/gypsy groups in Australia and it won’t be long before they are equally well known around the world.
The superbly friendly, warm singing of Sancha Powles was the perfect foil for the joyful, virtuosic and seamlessly effortless playing of Marcus Holden (Violin, Mandolin, Guitar and Vocals) Garry Daly (Accordion – doing a fantastic job filling in for Garry Steel) & Stan Valacos (Double Bass). From their opening number – a great version of Leonard Cohen’s ‘Dance Me to the End of Love’ that would have warmed the hearts of anyone who loves the Madeline Peroux version of that song – through audience favourites, such as Que Sera that had everyone singing, to the final numbers, each songs was a perfect gem. For my money, Marcus playing the Russian gypsy classic ‘Dark Eyes’ stole the night. Stefan Grapelli, Nigel Kennedy and Issac Pearlman, eat your heart out!
The concert was also very well supported by superb local artists. Dave Lee, a surprisingly young looking performer for such an experienced well established performer, made a great Troubadour premier on banjo and vocals, announcing that he will be a presence to be reckoned with on the Central Coast Folk scene for years to come. Make sure you catch him in the coming months. Ken Grose, the Troubalukers and Trish Peart also chipped in with some memorable performances, while yours truly also contributed as best as I could.
What a night. Sincere apologies for those who were unable to attend. If you missed the Blue Gypsies, try and catch them at an upcoming gig – or better still at the St Albans Folk Festival over the Anzac weekend, where they are performing.
Review by Michael Fine.
Young Folkies Night
November 26, 2016
Congratulations Young Folkies!! Molly Millington opened the Young Folkies night at the Troubadour on 26 November.
All of us who heard her knew she was good! Read on to hear more about her amazing achievements. Michael Fine
SONG CONTEST WINNER ANNOUNCED
The 3rd annual Regional Song Contest has been WON by 16yo Molly Millington from NSW Central Coast (pictured).
Molly will perform on stage at the Tamworth Country Music Festival on Friday 27th January, in recognition of her win. She will also receive a Music Mentorship Package from fRETfEST.
Contest convenor, Al Buchan, said, “The Regional Song Contest gives young people from regional Australian communities the chance to be discovered. It’s all about nurturing authenticity and guiding their growth.” Contest runner up, 14yo Luke Furbank (from Bathurst) is excited to have won the acoustic guitar prize and can’t wait to share his songs live on stage.
16yo Millington recorded her debut EP with country music artist, Shane Nicholson, this year. She and Furbank will be joined on stage by the 2015 Regional Song Contest winner, 17yo Tyler Shoobert from Binnaway and 2015 runner up, 15yo Georgie Taylor from Redland Bay, (Qld).
The fRETfEST young stars showcase concerts commence on Australia Day at 10am on the Peel Street Stage, and a complete list of gig times and venues are online at www.fretfest.com/gigs.
Gleny-Rae and her Playboys set new standard for excellence on the Woy Woy waterfront!
Review by Michael Fine
Gleny-Rae Virus and her Playboys were simply amazing at the Troubdaour last night and the near full house audience loved it. Although it was hard to get in to start with, after the ‘Cast-Off’ festival which had been held in the Woy Woy waterside area overday, no one left the hall all evening. When the band finally played their last number, the place erupted with foot stomping and cheering till we got yet another encore. Music of this standard seems to make wild beasts from the most polite and refined of us! The night was a great night, celebrating, amongst other things, St Patrick’s Day and the Gay Mardi Gras. The music, as the famous song says, was simply grand.
Gleny-Rae and her band showed us how to mix virtuosity with joy, and converted us all to lovers of her brand of music, which she sometimes calls hillbilly swing. it was all of that, but in truth much more. As well as some great classics, they played a number of incredible compositions by Gleny-Rae that knocked our socks off. She doesn’t just sing and play amazingly well, she writes stunningly good original compositions. Like other truly great composers, she knows how to approach profound emotions such as grief and loss by mixing them together with warmth and lightheartedness.
Gleny-Rae’s band is truly virtuoso, a great mix of the tried, true and new. Gleny-Rae, herself an incredible fiddle player, singer, accordianist is also a mean-hand on the guitar. She has played with the brilliant Doug Bull on double bass for yonks – and their polished collaboration is inspiring. Now she and Doug have commandeered two fantastic newcomers to what is a becoming a true family band. Billie Bull, Doug’s daughter, sang with real sass, played great electric bass, and laid down terrific rhythm on the snare drums. And this was the first time any of us had heard the amazing Leo Larrat on guitar. He knows all the chords and the changes for every song, and seems to play inventive, bright, joyful solos at the drop of a hat. This is seriously good guitar talent, someone to keep an eye on for now and in the future. Billie seems to have her on him already, so the stars look like they are lining up for the future.
There was a great set of support acts on the night, too. Kyla made her Troubadour debut, but seems headed for big success with a powerful voice and great song writing. The deafening applause was well deserved and an open invitation for some repeat appearances in the near future. (Old) Joe McCallum, from Scotland via Auckland, stunned us all with great verse from Robbie Burns. Plucky (Sue Robinson, Cally, Suzie and Ken) were beautifully in harmony, George May, both as accompanist for Kyla and with a solo song about ‘Xmas on the Front’ played on a century old guitar, was great as usual. The Trubalukers, too, seem to be more and more ambitious. They played and sung Blue Skies last night, in an inspiring presentation, followed by Sue Gates, who from their midst, has sprung as a bright new songsmith, this time beguiling us with her song about Nyngan and the Bogan. Inspired by St Patrick, I contributed what I hoped was a moving rendition of Mountains of Mourne, as well as another song we know from Willie Nelson, a tribute to the long hidden history of gay cowboys. This incited Arch Bishop to contribute a very funny and very un-PC verse about gay cattle hands on an Australian cattle station that had us all in stitches.
This was a great night of great performances. What a privilege it was to be there. I’m sorry for those who missed out.
Saturday 27 February, 2016
By Michael Fine
The Troubadour program on Saturday night 27 February was a truly memorable night. Let me (re)count the ways:
1. Scott Cook – a true troubadour from Edmonton, Canada, gave us one the most amazing and unforgettable performances ever. There are few if any artists these days who are compared to the young Bob Dylan, or Neil Young – Leonard Cohen at his best, but last night that’s what a lot of people were saying. This guy is good and we felt blessed to be there.
He sings with a beautiful, clear bass-baritone voice in a charming and authentic Alberta accent. Ever word was clear to hear -those he sang forcefully and dramatically, as well as those he almost whispered intimately as if I was the only one he was singing to. And what words. Almost all the songs he sings are mostly his own, with just a couple of others great songs from his ‘friends’ to show his respect for others.
Scott is a poet, a historian and a great documentor of contemporary life. He sings about the little things as well as the big issues in life – he sings passionately about the injustices in the world without ever lecturing or hectoring his audience. And he sings too about the people he knows and cares about, and the experiences he has had on the road.
And what songs these are. They are fresh and yet timeless – such as the one he sang that he wrote about Woody Guthrie that would fit seamlessly alongside the best of Woody’s own compositions or those of Pete Seeger or that other great tribute to him, by Andy Irvine. Another, a new song with its world premier in Woy Woy last night – ‘Fella’s get out the way’ that somehow had us all both cheering for feminism and laughing our heads off in recognition. Look out for samples from some of Scott’s repertoire on these pages in the coming week. And check YouTube for Scott Cook if you’d like to catch a full recording of that cheeky but very strong song.
Scott Cook is also a very impressive guitar player and part-time banjo picker. Clean, delicate finger work, seemingly effortless and always tasteful, never show off.
He’s still touring Australia for a while, so if you missed last night at the Troubadour and get a chance somewhere else, do yourself a favour and go and see him perform. You won’t regret it.
2. A sad but very heartfelt and warm farewell to Marilyn and Frank Russell. Having founded the Troubadour club with Cec Bucello over 16 years ago, Marilyn and Frank are leaving for Queensland for family reasons.
They gave us one of their great performances last night. It included two excellent yodelling songs. Frank also revealed himself as one of the great romantics, as he played the song he wrote for Marilyn, ‘Two Hearts’, when they first married. There were few dry eyes left in the house, and we nearly ran out of kleenex at that spot – but things brightened up with the presentation of our farewell gifts, cards and tributes to these founders.
Their farewell was brought to a fitting conclusion with Frank and Marilyn leading the Troubadour hall in a hearty rendition of Michael O’Rourke’s ‘Sing Us a Song Boys’.
3. Some great floor spots – including a special launch performance by George May of his song -‘Do we really belong’ that remained to be performed from the Troubadour Tracks CD Launch.
Following George’s great opening of the night, we had an excellent performance by Linda Campbell, John Muir and the ‘re-treads’ gave us a memorable and cleverly updated rendition of ‘There is a tavern in the town’, Arch Bishop told us a naughty and very funny rhyming story, Michael Fine played a new composition – ‘The Ridiculous Walz’. Sue gates sang her new offering – a work song, entitled ‘Work, Work, Work’, Ian Smith moved us all again with Randy Newman’s I think it’s going to rain today’, while Trish Pearrt sang a delicious new love song about her passion for the pie.
The highlight of the floor spots for me was the tribute from the Troubalukers for Marilyn and Frank. What a performance. They sang it like they really meant it, too.
27 September 2016
Kavisha’s concert and workshop this weekend were not just good. They were superb. I’m suffering withdrawal symptoms as I write.
Kavisha is world class, an artist at the top of her form. And wow, didn’t we enjoy this intimate, enthusiastic, beautifully delivered performance she crafted for us at the Woy Woy Opera House on Saturday? The perfect fare to follow up a unique, engaging and wonderful singing workshop the night before.
Kavisha has been writing and performing across Australia and with occasional international visits for over two decades now. She has an impressive catalogue of great songs she has written, from her much loved Aria awarded hit ‘Invisible, Indivisible’ through to new songs such as ‘Sing for No one, Sing for Everyone’ that show her to be in the front rank of singer-songwriters. She can also make claims as a musicologist, especially in the way she uncovers, researches and then has introduced some of the most beautiful traditional Italian folk music and traditional tunes to Australian folk audiences. With her latest and perhaps most accomplished album, ‘Riturnella’, she demonstrates her prowess as an instumentalist, too with a sensitive and accomplished accompaniment on guitar that leaves us guitarists in wonder.
On Saturday night she she showed us too how she can put it all together in a great live show with wonderful, very personal stories, inspirational comments and high class character acting in which she draws on impressions of some of those she has encountered in her travels over the years. Her performance to a full hall on Saturday night was one to bottle and cherish for years to come. It also reminds us all, if we ever needed reminding, why live music can never be replaced by recordings.
Kavisha’s performance was well supported by some great floor spots by Hugh Worrall with to two great new songs, Shirley Hotchkiss who lead some the hall in community part singing, Marilyn (at her yodelling best) and Frank Russell – who were joined for their final two numbers by Cec as he made up the ‘Usual Suspects’. I did my best, too, with a rendition of Dance Me to the End of Love, in tribute to Leonard Cohen and as a brief celebration of his 80th birthday earlier in the week.
What a night. What a Troubadour weekend.
23 August 2016
When Mountain Music moved Woy Woy
The performance by Vincent Cross last night, Saturday 23 August, won him many followers. He reached out and touched our hearts with his original self-penned classics presented in a traditional, bluegrass influenced mountain music style with clean clear guitar lines underpinning strong, elegant yet folksy vocals. This was the final performance of a great artist on first Australian tour. He left a hall full of converts in Woy Woy hanging out for his return.
Vincent seems to embody opposites. His music and his presentation last night was at once intense and yet relaxed and laid back. It was refined and raw, contemporary and traditional. Grounded in the traditions of Appalachian and mountain music he has carved out new tunes and created a fresh and original repertoire that is creative and fresh, but respectful of the old.
Vincent Cross is first and foremost a poet of these times, his lyrics reflecting on his own experience and the fate we all share in today’s world – trying to find a sense of home, of stability, of belonging. He is also a fine musician, playing an original 1955 Martin steel stringed guitar with precision and warmth, a five string banjo he borrowed over here, and harmonica. He sang as well with tunefullness and expression, every word clear to hear. And he talks and tell stories like the best, so that the each person in the audience felt as if he was talking to them. As well as playing his two most recent albums he also shared two songs he had written while in Australia. One was a beautifully simple love song. The most recent drew on a Mississippi John Hurt’s tune to lament the killing of Michael Brown, shot by police in Ferguson, Missouri.
Vincent was well supported by some great contributions from our local artists with floor spots. George May was, as usual, outstanding, while Chris Dillon sang two crowd great pleasers from Neil Diamond. Nick Lock, Peter Mace and The Blues Angels were also outstanding. The Russells were great, with Marilyn showing why she is getting known as the best yodeller on the Central Coast. Michael Fine also did his best (if I say so myself!), contributing two songs.
A great Troubadour night and a fitting farewell concert for Vincent Cross. Lets hope it won’t be too long before we see him on these shores, and in these halls, again.
Chloe and Jason
26 July 2016
Full Hall for the Troubadour’s 15th Birthday Saturday 26 July ’16
There were no seats available last night for the Troubadour’s 15th Birthday celebration – the CWA hall was completely full as members and other guests crammed in for a memorable concert from Chloe and Jason Roweth. No use complaining that they sang songs about shearers – that’s what they do better than anyone else. And they sang rebel rousing choruses by John Dengate and others from the Australian tradition. There were also many great performances by local performers – the great George May, Slightly Off, Hugh Worral, Trish, Ian Smith, The Troubalukers dressed in comic bear hats, and Linda Campbell. Sadly there were others in attendance we would have liked to have on stage last night. But the program, like the seats, was full to bursting – so we’ll need to continue the celebrations in the coming months.
Peter Mace spiced it up by adding poetry to the mix and Jason countered with more, and even longer poems. How do they remember all the words?
It’s invidious to single out any single song – but the one that most stayed with me was the Shearers Jamboree, sung and yodelled by Chloe in a duet with Marilyn. There were also great performances from two of the youngest contributors on the night – Megan Roweth and Skye Campbell! Their enjoyment was infectious, and we tried to capture it in the accompanying photo – what do you think of it?
One of the most unforgettable appearances of the evening was the amazing birthday cake baked and iced by the eclectic and multi-talented Leila Desborough. If you missed your slice, you can still admire her superb artwork on icing in the photo where the cake is held aloft by club founders Marilyn and Frank Russell and Cec Bucello. Yours truly, Michael Fine, managed to get caught up in the action as current President of the club and MC for the night.
The Troubadour is a wonderful enhancement to the cultural and social life of the Central Coast. It is such an honour to be associated with it. May the club and all its members continue to blossom. May the first 15 years lead to many many more to come!
Gleny Rae Virus and her Playboys
28 June 2014
What a night!
From the very first number (Hickory Holler’s Tramp by Bill Bekrick) to the final encore with its stomping/standing/cheering ovation, this was a special concert.
Ken Grose set up the CWA Hall with ambient lighting, and his efforts gave the place a homey feel – as if we were all at a party. And party we did – as the table lamp on the piano demonstrated – rocking along with the rest of us.
Gleny Rae Virus and her Playboys (with guest playboy Robbie Long filling in for Roy Payne – and doing extremely well) blew our collective socks off, with songs about everyday things, performed with panache and verve. You have to hear Dougie Bull’s bass to believe it. After all, who needs a drummer, when the bass player can play a drum solo on his instrument while he also plays the full swinging bass line as well? And Gleny Rae is a revelation. Her publicity reports that she is a down to earth Aussie country girl with a wicked sense of humour and a world class act – all true. But the media often fails to note her lovely velvety voice and the clever, subtle and musically beautiful things she does with it. The first half of the show featured Gleny Rae on violin, stylish, witty and undeniably expert – a perfect foil for Robbie’s western swing guitar solos. In the second half she took up guitar, with Robbie on Dobro, and finally she unleashed the accordion – despite the disrespectful jokes from her colleagues, and showed us how dance music should be played. If music were food, this performance would be strawberries and cream with champagne, and a strong cup of billy tea to keep it real.
Out floor performers were in fine shape too. Starting with Bill Bekrick, Chris Dillon followed, making a change from the best of the American Songbook with a monologue about a lion and a tasty small boy. Trish Peartt sang one of her own compositions, My Darling Street, about Balmain at its best, Ian Smith hit us with a couple of short country pieces, George May and Kerry got the table lamp rocking with Frankie and Johnny. After the break the Troubalukers appeared, complete with Hawaiian shirts and leis to lead us in a singalong (Blue Hawaii and Pearly Shells). Two members of the Richmond three piece combo, The Bellbird Belles (Kim and Jan), made a very welcome debut performance and the Russells gave us a favourite – Evangeline. Then Plucky (Ken Grose, Susie Lochhead and Sue Robinson), played two country waltzes before Glenye Rae and the boys returned to the lamplit arena to show us all how much there is for us still to learn.
Our regular photographer (Ina Fine) was away for this concert, but videos will follow, along with any photos we can find. – Sue Robinson
Azo Bell 24 May 2014
The word “Ukulele” allegedly means “jumping flea”. and the joint was certainly jumping at tonight’s ukulele concert following uke-whiz, Azo Bell’s workshop and featuring an evening of ukes. We featured charming ukes, impressively fast ukes, good, solidly strumming ukes for singing along, and, courtesy of Mr Bell – a jumping uke.
In honour of the instrument, a number of our floor performers featured the uke in their spots, starting with Susie Lochhead and Sue Robinson, who augmented their group, Plucky, with Ken Gross, wrangling the washtub bass, Hugh Worrall on tin whistle and guests Martyn Robinson and Lynne McNairn from the Pennant Hills uke club, playing rhythm and banjolele. Slightly Off sang of the Devil and happiness with the help of Leila Desborough’s splendid resonator uke, the Troubalukers led us in two meaningful songs: Purple People Eater and La Cucuracha, complete with lightning costume changes, and of course, ukes. The Kookie Ukies, gave us a bit of country flavour and Trish treated us to a burst of uke noir with Moody river as well as her own composition “Get up little darling”. Non-uke players included Ian Smith, with a moving rendition of John Doe No 24, and a country song the way many prefer them – fast. the Blues Angels sang of toast and trombones, Michael Fine had us all singing lustily about why we hate the carbon tax and Bill Beckrik showed us all how it was done with a moving and memorable performance of Go Down Easy, and The Cruel War.
But the star of the evening was Azo Bell – a man whose tiny uke could be eclipsed by his own hand – but he made it sing. delicate, moody, bluesy, jazzy, classic, whatever the genre, Azo Bell showed us how the uke could play it. And seeing him play and juggle the instrument at the same time – well, let’s just say, he also made it dance. A great night. photos and videos to come.
Environment Night with Paul Robert Burton. 12 April 2014
Who would have thought that there were so many songs about the natural environment? Tonight’s concert sampled all the greats from Linda Campbell’s “it’s not easy being green”, through Chris Dillon’s “Wonderful world”, George May’s “Pollution” song and Paul Robert Burton’s “16 tons” and Hugh Worrall’s haunting “Cows with Guns” right up to Michael Fine’s rendition of “Big yellow taxi”. There were also a rich and varied selection of singer-songwriters performing including Slightly Off, Karen and Friends, Marilyn Russell and Paul Robert Burton. Robert and Mary rose sang about the Springhill mining disaster and the Troubalukers led us in a singalong.
Paul Robert’s set was spectacular, as he wove his songs together on the spot, drew fantastic sounds from his ukulele, breathed new life into well loved standards and his own songs, and gave a practical demonstration of just how sophisticated modern folk music can be.
Leon and Toni. 22 March 2014
Back to Greenwich Village sometime round 1967
I woke this morning with the beautiful harmonies of Leon and Toni still in my mind. On Saturday night they were singing the great songs from the 60s folk revival and beyond, with Arne Green adding superb accompaniment on lead guitar. Leon shared with us some of the experiences he had in NY at the time, in some of the legendary folk hangouts and performance spaces such as Gerdes Bar and the Gaslight Cafe, bringing an exciting and inspiring era back to life – if it ever went away.
Leon and Toni gave a superb performance. Beautiful vocal harmonies, excellent instrumental support and a real sensitivity for the words and the music. Their choice of music was excellent – folk classics, songs of some of the great singer-songwriters of the 60s, and a number of more recent classics and personal favourites. A particularly memorable version of Dylan’s ‘Don’t Think Twice, It’s Alright’, and a beautiful rendition of Leonard Cohen’s masterpiece – ‘Anthem’, and the great coal mining classic ‘Coal Tatoo’ with which they finished the night, stood out for me. But it unfair to single out particular numbers as the entire show was inspiring, joyful, thought provoking and memorable in every sense.
As we have come to expect, the support acts from amongst the Troubadour members and audience set a high standard. Hugh Worral alone and later with Gabriel, George May, Frank Russell, Sue Robinson, Michel Fine, The Trubalukers, Chris Dillon and the ever popular smiling Bill Bekric, in great form, did more than set the mood and lift the spirits with song. And there was a wonderful poem from Peter Mace that helped us all reflect on the disadvantage of the homeless.
If you missed it – what a pity. But keep an eye out for a few videos from the night we’ll be posting in the next few days! And make sure you don’t miss the Theme Night coming up on 12 April!
The Hollands. 22 February 2014
Harmony, sweet harmony, pervaded at the Troubadour concert on Saturday 22nd. Where the singers didn’t provide it, the audience did, and the result was a lovely evening, musically rich and varied and satisfyingly harmonious. Ian Smith started the evening with a warning to his daughter not to marry a folk singer, and the audience agreed in harmony. Melissa and Anita made a welcome second appearance with two of their own compositions, and Anita followed with Hallalujah, acapella with the audience joining her rich, clear soprano in the chorus. Susie Lochhead, Sue Robinson and Arte Cifuentes sang, and Arte’s following solo was one of the standouts of the night. There were stories from Peter Mace, a rousing singalong and a touching love song from Chris Dillon, Garland Fine sang two traditional songs with audience harmonies, Nick Lock showed us that ukulele playing wasn’t his only talent, and we sang along again with his acapella offerings. Hugh Worrall led us in a song about pelicans, Geoff and Monica made whoopee and musical comedy veteran Adrian Hill’s debut performance had us all singing about his little whippet.
Then the Hollands took the floor and showed us what harmony was all about. Their songs were gentle and happy, their musicianship superb, their harmonies breathtaking with the blend between mother and daughter producing some simply magical musical textures, We in the audience listened spellbound and joined in whenever we could.
What a great evening!
George Mann, NY. House Concert 16 February 2014
What a lovely time we had at the George Mann concert on Sunday afternoon! The original venue may have been washed out, but there was nothing washed up about the performances. We were treated to a series of varied and excellent floor spots, featuring some favourites, such as Peter Mace with three funny and thoughtful poems. “a Couple of Celts”, (featuring George May) who get better every time they play, Michael Fine, with witty and pertinent pieces from Pete Seeger and John Dengate, and Sue Robinson with a sing song along the Erie Canal. But the surprises of the evening were the new performers. The Boat Shed Band, from Dangar Island, for example, gave us a hauntingly beautiful flute solo and had us all singing along with Wild Mountain Thyme, Melissa and Anita, a couple of opera singers, displayed their folk chops by singing three original pieces, and there was John Broomhall from Illawarra whose playing and singing were simply good – very good. There was huge variety and the audience sang and clapped along with gusto and three-part harmony.
George Mann himself brought it all home for us. Many of his songs were familiar favourites, with added depth because George shared the stories about their birth and history. His own compositions were rich and human, about vivid personalities, brave companions and dear friends. And they had great singalong choruses. The hot supper was excellent, complete with hot curry, gooey cakes and lots of lively conversation. The audience wanted it to keep going, but sadly, we couldn’t stay in the hall all night so the proposed jam session had to be postponed – come back soon George.
Vale Yuri, a one of a kind.
For Many years Yuri was a Troubadour regular at Woy Woy for years in the early days, and a regular featured performer. I hadn’t seen him in years until I saw him at St Albans this year. He was as good as always and had a guaranteed return booking this year. – FR
Pete Seeger: 94 amazing years
Sadly, we learned last night that Pete Seeger’s life has ended. He’s one of the few people we can say that has helped create the field we know today as Folk Music. The simple, folksy, inclusive style of music, the recognition of tradition linked with an awareness of our responsibility for creating the future, are just part of his legacy. He wrote some of the great songs – songs like Where Have All the Flowers Gone?’ and ‘Turn Turn Turn’, and he made popular so many other great songs of protest and social comment, like ‘Little Boxes’, ‘Guantanamera’, and ‘If I had a Hammer’. His love of other languages introduced us to songs from over the world, including that wonderful S. African tune Wimowee, which he first sang thinking it was a traditional folk song, but ended up in court as Solomon Linda, the impoverished and forgotten writer, was able to claim author’s rights and royalties.
From his earliest days as a musician in the late 1930s, alone and through his work with groups like the Almanac Singers and especially the Weavers, he helped put the politics and a concern for a fairer world into folk music. It’s no coincidence that Bob Dylan first came to attention singing with Pete Seeger on a civil rights singing tour of the USA’s south against segregation in 1962. So many other great musicians also speak of how Pete Seeger helped or inspired them that it’s true to say that he fostered generations of the greatest.
Like many other Australians, we have a direct link through the Troubadour CC to Pete Seeger. One degree of separation. You’ll remember Rik Palieri and George Mann from the USA in the sell-out house concert we held on 3 February 2012. What a concert! Rik and George not only went on from there to do the renenactment of the Alamanc Toour of 1939 and 1940 that Pete Seeger first did with Woody Guthrie, Fred Hays & Mill Lampell, but Rik told us stories of some of the time he spent with Pete learning his craft as folk singer, performer, and community activist. Check out the web sites
and listen to the CD.
Maurie Mulheron, who performed at the Troubadour in 2013 with Jeannie Lewis, also got to know Pete and did much to educate Australian audiences with his superb show about Pete Seeger and his musical legacy: ‘One Word: We’.
If you don’t own the Almanac Trail CD yet (it’s superb and will make you sing for months), make sure you buy it (or coax a friend into buying it) when George Mann returns to Woy Woy -4.00 pm, Sunday 16 February, for a house concert. Call 4342 6716 to book, while there are still places. You might like to go an and check out some of the links from Rik Palieri’s facebook page working from the link below.
Pete Seeger – a life well lived! Gone but his music and his spirit lives on.
Michael Fine – Troubadour President, 29 January 2014
Check out this great video of Rik with Pete Seeger, jamming at the age of 93! The video also telly you about the Almanac Trail tour in 2013